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РИММА И ВАЛЕРИЙ ГЕРЛОВИНЫ
ВЫДЕРЖКИ ИЗ КНИГ И КРИТИЧЕСКИХ СТАТЕЙ
2019 - 2022
Fantastic Vision, Amarillo Museum of Art, Texas, USA, May 28 Ð Sept. 4, 2022 https://archive.fo/VpE8j
Face, Lisa Sette Gallery, Phoenix, AZ, June 4 – sept. 24, 2022 https://archive.ph/VWjux
Thinking Pictures, Kumu Art Museum, Tallinn, Estonia, March 13 – Aug.14, 2022
ArtistsÕ Books from Franklin Furnace Archive, 1976-2022, Pratt Institute, New York, USA, Apr. 21 Ð June 21, 2022 https://franklinfurnace.org/46-artists-books-exhibition/ |
Poetry and Performance, Dnipro Center for Contemporary Culture, Dnipro, Ukraine, Nov. 25, 2021 – Feb. 12, 2022
Выставки 2022 - 2021:
Visage – Face with a View, Cassilhous, Chapel Hill, North Carolina, USA, Feb.13 – May 8, 2022
Poetry and Performance, The Kassak Museum, Budapest, Hungary, 2021
Fluxus Means Change, Jean BrownÕs Avant-Garde Archive, The Getty Research Institute, California, USA, Sept. 14, 2021 – Jan. 2, 2022
Opening the Curtain, Fondation of Andrei Chaglakov, Moscow, Russia, 2021
Rimma Gerlovina and Valeriy Gerlovin, THOUGHT OF THOUGHTS |
ÒThe allegorical form of art can train and possibly awaken the mind with piercing glimpses into the inexplicable, expressing it in its visual meta-language. For that purpose, Zen masters used to employ their koans; similarly, we used our concepts. Art was always our thread of Ariadne that led us through the labyrinths of life: as in Russia, so in America. The running streams of ideas and forms in our art have been fusing in one organic union, whose balance is maintained as in a live organism. On every occasion, it was necessary to rise in consciousness above the limitations of the moment, to break free from the temporal aspects of events and to glance from the particular to the universal Ð in such case geographical localities become less significant than expected. The surviving idea of antiquity concerning the necessity of self-knowledge (nosce te ipsum) suggests that one has to gain the maximum independence from the collective mind, which entails another equally old rule that one has to carry in himself all that one needs (omnia mea mecum porto). Consequently, these parables were repeated in our life just like in lives of many others who traveled the same way before us.Ó (p. 7) (further...)
Олеся Авраменко, ÒГендер в советском неофициальном искусствеÓ, Новое литературное обозрение, 2021
Выставка "Секретики: копание в советском андеграунде. 1966-1985" Гараж, Москва, 11.12.2019 – 24.7.2020
Further Info: Elle Yarcenter Garage
"Ненавсегда", Государственная Третьяковская галерея 7.7 -11.9.2020 https://archive.ph/vXSnn
Photographie Les acquisitions des collections publiques, Le Bec en lÕair, Marceill, France, 2020
Le Monde diplomatique, August 2020, France (link)
Зинаида Стародубцева, ÒРусские художники за рубежомÓ, 1970-2010-е годы, интервью, БуксМарт, 2020
"Изобилие и аскеза в русской литературе: Столкновения, переходы, совпаденияÓ, cборник статей, ред. Йенс Херльт, Кристиан Цендер,
Новое литературное обозрение, 2020
Переписка художников с журналом ÇА-ЯÈ, том 1 и 2, составитель Игорь Шелковский, Новое литературное обозрение, 2019
Выставки 2020:
"The Other 50%: WomenÕs Voices in the Public Sphere", Gregory Allicar Museum of Art, Colorado State University, CO
"When Gesture Becomes Event", Kunstlerhaus Vereinigung, Vienna, Austria
"Art:Tech Exhiition", the National Arts Club, New York City
"Геометрия в культуре ХХ – ХХ1 веков. К столетию Баухауса", ГЦСИ, Москва, 3.12.2019 - 26.1. 2020
Book by Russell Joslin Alone Forever Sometimes, Self-Portraits 2000-2019, Skeleton Key Press, Oslo, Norway,
with an essey by Rimma Gerlovina and Valeriy Gerlovin ÇThe Diaphanous SelfÈ
Further info: https://www.skeletonkeypress.com/alone-forever-sometimes/
Travelling group exhibition Poetry and Performance curated by Tom‡š Glanc and Sabine HŠnsgen (info)
12.4.Ð7.7.2019 Motorenhalle-Riesa Efau Kultur Forum, Dresden, Germany 16.09.Ð28.10.2018 Shedhalle, ZŸrich, Switzerland (video) 22.12. 2017 Ð 10.3. 2018 Gallery Nova Synagoga, Zhilina, Slovakia ( Blok Magazine о выставке) 27.3.20 Ð 13.7. 2020 Muzeum Wsp—lczesne Wroclaw / Wroclaw Contemporary Museum, Poland 18.12. 2020 - 5.3.2021 Liberec Regional Gallery, Liberec, Czech Republic Coming venues: Kass‡k Mœzeum, Budapest, Hungary Cultural Center (ÒKultura MedialnaÓ) in Dnipro Ukraine Baths/L‡zneÿ Ð Okresn’ galerie Liberec/ Regional Art Gallery Liberec, Czech Republic
Для выставки была сделана увеличенная копия интеративной работы Риммы Герловиной ÇРай, чистилище, адÈ 1976, из коллекции Третьяковской галереи (production: J‡n Gašparovič) |
Video Not Jean Brown: Dada, Surrealism, Fluxus, etc. Premiere of a 1Ú2 inch color video by The Gerlovins and Mark Bloch, 16 min with soundtrack by John Cage and works by George Maciunas, Marcel Duchamp, Man Ray, AndrŽ Masson, Joe Jones, John Cage, Yoko Ono, Robert Watts, Claes Oldenburg, Robert Filliou, Geoff Hendricks, Nam June Paik, Christo, John Lennon, George Brecht, Ay-O, John Furnival, Dieter Roth, and others. Preceded by videos: The Concepts, The Gerlovins, 16 min, 2012 (info) (video) |
Exhibition "Arte e Femminismo", 3 Apr.- 26 May 2019, FM Centro per l'Arte Contemporanea, Milan, Italy (from collection of MART- Museo di arte e contemporanea di Trento e Roverto) |
Russian Art and Culture, ÒAmazons of Russian Alternative ArtÓ 07.03.2019 (link)
Urawa Museum, Japan, Challenges from the Other Side, exib., 2018.11.17- 2019.1.14 "FIVE YEAR PLAN" magazine in envelopes, from the collection of the museum. Links to Litfund Auction July 4, 2019: Collective Farm #5 Five Year Plan Collective Farm #3 Post-Office Dinner |
Валерий Герловин, ранняя живопись (1973) в собрании Третьяковской галереи (каталог)
Valeriy Gerlovin early paintings (1973) in collection of the State Tretyakov Gallery (catalog)
Semantics of Possible Words, 1977, in Collection of Tate Modern, London, UK, 2019 (link)
"Семантика возможных миров",1977, в коллекции Галереи Тейт Модерн, Лондон, 2019 (link)
Still-a-live, 1988, in Yale University Art Gallery Collection, New Haven, Connecticut, USA (link)
"Зеркальная игра", 1977, в архиве Гютторма Гюттормсгоора, Осло, Норвегия, 2019
Mirror Game, 1977, in the archive of Guttorm Guttormsgaard, Oslo, Norwey, 2019
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